sound

Lom +You Award by John Hooper

We are delighted to share that Pale Blue Dot Collective was selected as one of 20 awardees to be supported by Lom, from 170 proposals from more than 50 countries around the world. We will be given a Lom Geofón microphone.

Geofón is a sensitive omnidirectional geophone adjusted for field recording purposes. Originally designed for seismic measurements, it can be used with regular field recording equipment to capture very faint vibrations in various materials and even soil.

We will use our Geofón mic to record the vibrations of and around the sea defences on the island of Great Britain. We will let the recordings dictate a process of composition, layering them with recordings from our catalogue of sounds from around the world. Our work will explore the urgency of our environmental situation and investigate how rising sea levels are and will continue to affect ecosystems in many different ways.

Supported artists
Alexis Perpelycia (Argentina)
Anmol Tikoo (India)
Arielle Estrada (Senegal)
Chris Dooks (Scotland)
Jami Reimer (Canada)
George Moraitis (Greece)
Kosmas Phan Dinh (Germany)
Lisa Schonberg (Brazil)
Nithin Shamsudhin (India)
Viki Arvay (Slovakia)
Cia Himiân Lí (Taiwan)
Cosmo Sheldrake (UK)
Douglas Tewksbury (Arctic)
Frontyard space (Australia)
Chris Myhr (Canada)
Eleni-Ira Panourgia (Germany)
Leonard Maassen (Switzerland)
Mafalda Ramos (Brazil)
Pale Blue Dot collective (UK)
Raphaële Dupire (France)

Lom Geofón

Disquietude Podcast 0005 by John Hooper

Marc Weidenbaum from Disquiet asked if he could include one of my Landsounds tracks for the Disquietude Ambient Podcast. It is an honor to be played next to the other artists on the podcast and hope you enjoy listening to them too. click on the logo to go to the Disquiet site and below that is the podcast.

“The goal of the Disquietude podcast is to collect adventurous work in the field of ambient electronic music. What follows is all music that captured my imagination, and I hope that it appeals to your imagination as well.”

The sound piece is the result of my ongoing Arts Council funded DYCP, completed on the Goldsmiths short course Field Recording: Soundscape Composition.